![]() ![]() Indeed, the creator has a separate VST for this purpose, for testing audio effects without altering the original volume. ![]() I have spent the whole morning playing with field recordings of muslim chants calling for prayer, used to modulate Generate pads.Īlso, the approach of including a tool to adjust the final volume of a track according to the original signal is very original. This in conjunction with Newflanged Generate is a beast. Specially if you're into ambient and creating weird textures. Use your voice to alter CC parameters like the filters, ADSR curves, resonators, while you play the notes with your Yeah, if you're looking for a tool for accurately extract the melodies of an audio file, go with Melodyne, nothing can compete with their years of expertise.īut for modulating things, creating weird textures, feeding your synths with evolving CC parameters and experimenting with live music, Dodo MIDI 2 is an impressive tool. In Bitwig, you can use audio signals to modulate any synth parameter with its modulators. So you can use your voice to sing long ambient landscapes, in a way in which your synths and instruments will adapt not only the timbre and modulation, but also the final volume. The second feature is an additional module that you can put after your MIDI track to modify the final volume of the track, according to the intensity of the original audio signal. But if you prefer a rain of short notes and a more melodic approach, it has a Quick Mode selector. So it's possible to create long evolving notes for pads, being a great tool for ambient musicians. The first one, you can select the modulation threshold with a minimum and a maximum value. Something similar to A2M real-time Audio to MIDI in iOS.īut it has two things in which it excels. To begin with, this thing does real-time conversion, so it's ideal for live playing, creating random notes from weird sources like field-recordings. Until I found Dodo MIDI 2, which it's free.īut it also has an arsenal of innovative features, that set it apart from the workflow of other similar apps. So I was looking for an alternative, thinking in saving for a license of Melodyne. And I chose Bitwig, because it has better tools for the kind of experimental and generative music that I like, thanks to things like its operators.īut one thing that I was missing from Ableton Live, it was the audio to MIDI conversion. After trying the demos of Ableton Live and Bitwig, this month I made the hard decision of choosing one to buy a license. ![]()
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